Us Brits are known throughout the world for our classic literature and particularly for the charm and simplicity of some of our children’s works, but it’s a challenge to bring the ever-so-twee tales up to date.
Kenneth Grahame’s The Wind in the Willows is quintessentially English, but with woodland characters rather than humans carrying the story, it makes the task of bringing the traditional riverside tale into the modern era slightly easier.
And with the now well-established musical theatre team of Stiles and Drewe once again collaborating with Julian Fellowes – after their huge success with Half a Sixpence – audiences at the London Palladium are treated to a heartening family musical with humour at its core.
There is something for everyone in Rachel Kavanaugh’s production with enough slapstick for the little ones, teamed with an awe-inspiring set design from Peter McKintosh and an additional element of sarcasm (particularly from the excellent Simon Lipkin as Ratty) to entertain the more pessimistic theatregoers.
It’s not a show that caters particularly well for feminists however, with Denise Welch’s Mrs. Otter failing to add any girl power to the plot known for its boy’s club theme and a song in which Toad transforms into a women in order to escape prison is pretty cringe worthy.
There are however, some lovely little nods for musical theatre fans; you might recognise Toad’s Prisoner number, and the families of animals (especially the hedgehogs), are just so adorable, you can forgive the story for being a little pedestrian and staid.
Craig Mather’s Mole is wonderfully wholesome, while Rufus Hound plays the hatefully hapless Toad with a wealth of humour.
The naughty weasels, stoats and foxes – led by the rock star-like Neil McDermott – steal the show and it’s such a clever twist to have the foxes clad in huntsman attire.
This adds to what is the show’s real draw, as a spectacle, and together with an enormous steam train, which fills the stage to the meandering riverbank bedecked with reeds and rushes, this show is a visual feast.
Photos by Darren Bell