Audrey Hepburn earned an Academy Award nomination for the 1967 psychological thriller Wait Until Dark, writes Nicky Sweetland.
But fans of the film will soon be able to experience Fredrick Knott’s terrifying play – upon which the screenplay was based – when a new production embarks on a nationwide tour next week.
The play, which is set amidst the social turbulence of 60’s London, stars Oliver Mellor (Coronation Street) and Karina Jones (The Vagina Monologues and Crystal Clear) alongside Jack Ellis (Prime Suspect and Bad Girls) who took some time off from rehearsals to tell us about the new production.
The play follows the story of Suzy, a blind woman who, left alone in her apartment, becomes embroiled with a group of conmen hatching an elaborate scam and Jack explains, “It’s a fantastic piece made better by the fact that we have Karina Jones, who is a blind actress, playing the Audrey Hepburn part. I think it’s the first time it’s ever been done. I think, were we to do it with a sighted actress, it might be slightly dated but having Karina adds a huge amount of poignancy and a totally different feel. It underlines disability and our attitudes towards disability.”
With her husband removed from the house, Suzy is left to fend for herself but with the phone line cut and the house plunged into darkness, how will she outwit her tormentors?
“Weirdly she becomes more and more resolute as the play unfolds.” Jack said.
Jack Ellis is perhaps best known for playing the dastardly prison guard Jim Fenner in the ITV television series Bad Girls. His previous theatre credits include A Clockwork Orange, Richard III and Hamlet (all for the Royal Shakespeare Company) but he was most recently seen onstage in the acclaimed UK touring production of Shawshank Redemption.
Jack, once again, portrays an unsavoury character in the new stage production of Waiting For Dark, which is often quoted as one of the top 100 scariest films of all time.
“Fans of the film will love it, but I think they’ll get a lot more from it. The film is just a scary film and this has got a lot of comedy in it as well.” Jack tells us, “It’s a bit like the Woman in Black, meets Hustle, meets Harold Pinter, meets the scariest film you’ve ever seen, particularly at the end.”