Nicky’s Showbiz Diary: Critiquing a show you don’t like is a tough job

It’s always difficult to critique a show you know you don’t like. After I’ve seen a couple of versions of something and have been unimpressed by it, I then try my best to avoid future presentations.

For example, I’ve managed to completely sidestep the new West End production of Annie – starring Miranda Hart – and with the announcement this week that Craig Revel Horwood is to take over the role of Miss Hannigan; I will continue to actively avoid the Piccadilly Theatre until something more interesting comes along. It’s not that I don’t like Craig – he is a really lovely person – but having seen Annie six times within the last two years and previously witnessed his portrayal in the touring production, I know I can manage without another viewing.

There are lots of other shows too, which I would quite happily never see again like South Pacific (in my opinion, Rodgers and Hammerstein’s worse show), 42nd Street (rubbish story and a dull score) and The Sound of Music (or the Sound of Mucus as I call it). It’s not that it’s a bad musical, but I’ve just seen it far too many times and have started to hope that a curtain call is on Maria’s list of ‘favourite things’.

There are also highly acclaimed shows that I just don’t get, like Ragtime, Godspell and Into the Woods, and loads of plays, which – with my limited intellect – I struggle to understand. Some are just far too worthy for this working class girl and I therefore find them extremely difficult to write about.

There are occasionally things that surprise me however, like last year’s Regent Park Open Air Theatre production of Jesus Christ Superstar. After being part of a detestable amateur production, I despised the classic rock opera, but Tim Sheader’s fab adaptation made me see it through fresh eyes.

I also had my mind changed by Evita last week. I have previously called the musical ‘excreta’ – such was my loathing of it – but after seeing Emma Hatton in the leading role at the Phoenix Theatre I found myself willing to give the story another go.

I am yet to watch any Gilbert and Sullivan operetta however without feeling the need to cry in desperation and don’t get me started on village pantomimes (I endure an average of 15 each season!).

Gosh, it sounds like I don’t like anything doesn’t it? There are lot and lots of shows I love – which is why I’m so lucky to do what I do – and I also get to discover new things, which I wouldn’t ordinarily choose.

Anyway, I had another fab evening at Alice’s Adventures Underground last week (a real recommendation); I finally watched Our Ladies of Perpetual Succour (very good) and enjoyed Evita (a bit!). I also interviewed former Wicked star Idriss Kargbo, who is working on one of my real favourites, Five Guys Named Moe – which will open at the new popup theatre at Marble Arch next month – and I went to the launch of the new season at the New Wimbledon Theatre and had a chat with Kara Lily Hayworth, who will play Cilla Black in the new stage show about the singer’s life.

This week I’m off to interview Carley Stenson – who is currently playing Fantine in Les Misérables (love it!) – at the Queen’s Theatre and then I’m heading down to Underbelly Festival to see Velma Celli’s Iconic: A Brief History of Drag, with special guests Kerry Ellis and Jessie Wallace. I’m then talking to RuPaul’s Drag Race winner Jinkx Monsoon, before chatting to Emma Hatton about her illustrious career and her sensational performance in Evita.

You can follow me on Twitter for regular updates @NickySweetland

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Nicky’s Showbiz Diary: It’s been an unusual few months

I’ve got a bit out of the habit of writing these, so for fans of them, I apologise. It’s amazing how you focus on the necessities of work and life when you’re busy and extra things just fall by the wayside. Anyway, I’m going to make a concerted effort to write a diary every week from now on.

It’s been an unusual few months, which has involved me moving house at both ends of the country (in with my wonderful parents in Devon and my awesome best mates in London), a new job and a lot of new compromises in life.

My job in London is more demanding than ever before, with a fab new contract for the Weekender titles in south London giving me a great deal of pleasure. The publications are really good and the team I’m working with is absolutely brilliant. It’s also meant I’ve been able to enjoy Greenwich a lot more, with invites to some great shows and some lovely restaurants.

I’ve been very fortunate that a lot of the PR companies that I’ve built up good relationships with have stuck by me and I’ve still been able to watch some fab West End shows and chat to the stars for both my own website and for my slot on BBC Radio Kent.

A real highlight was seeing Andrew Scott in Hamlet. Now, I don’t pretend to be a fan of straight plays or Shakespeare (I generally prefer jazz hands and vibrato singing), but the production at the Harold Pinter Theatre is one of the best things I’ve seen this year. I also adored Bat Out of Hell (and the leading pair made for a delightful interview) and Lady Day at Emerson’s Bar and Grill with the fabulous Audra McDonald.

The Wind in the Willows at the London Palladium was good (and really didn’t deserve some of the harsh criticism it received, in my opinion) and Yank! at the Charing Cross theatre is a beautiful show.

I have become slightly obsessed with the soundtrack of Bonnie and Clyde after watching a workshop of the musical at The Other Palace and I’ve even started to listen to a bit of Little Mix (I know right! I think I’ve regressed) after seeing them perform as part of Greenwich Music Time.

I’ve interviewed my fave West End star, Kerry Ellis, the lovely Velma Celli and a whole host of friendly and not so friendly theatrical types (one playwright had prepared a statement and refused to actually answer any questions!).

Anyway, this week is also pretty packed. I’m having a tour of the Bob Hope Theatre in Eltham – which is home to an extremely talented amdram group – before I attend a rehearsal for the new production of Flashdance The Musical, starring Strictly’s Joanne Clifton and A1’s Ben Adams, as well as popping along to the Hippodrome for a lively night of music from the Blues Brothers.

You can follow me on Twitter @NickySweetland for regular news.